{"id":322,"date":"2015-03-07T15:23:40","date_gmt":"2015-03-07T23:23:40","guid":{"rendered":"http:\/\/lawrencedurrell.org\/wp_durrell\/?page_id=322"},"modified":"2017-11-05T10:01:15","modified_gmt":"2017-11-05T18:01:15","slug":"ns-13","status":"publish","type":"page","link":"https:\/\/lawrencedurrell.org\/wp_durrell\/deus-loci\/ns-13\/","title":{"rendered":"Deus Loci NS 13 (2012-2013)"},"content":{"rendered":"<p><strong><em>Deus Loci: The Lawrence Durrell Journal<\/em> NS 13 (2012-2013)<\/strong><\/p>\n<div id=\"stcpDiv\">\n<p>TABLE OF CONTENTS<\/p>\n<p>From the Editor<\/p>\n<p>Robert Haslam &#8220;Introduction to <em>Emended Readings<\/em>: A Survey of British Criticism on Durrell<\/p>\n<p><strong>ESSAYS<br \/>\n<\/strong><\/p>\n<ul>\n<li>Clive Scott \u201cLawrence Durrell: The Poet as Idler\u201d<\/li>\n<li>Ray Morrison \u201cLawrence Durrell&#8217;s Lyric, <em>Deus Loci<\/em>, as the Heraldic Mirror of His World\u201d<\/li>\n<li>Dianne Vipond \u201cThe Politics of Lawrence Durrell&#8217;s Major Fiction\u201d<\/li>\n<li>Michael Haag \u201c<em>The Alexandria Quartet<\/em>: From One Volume to Four\u201d<\/li>\n<li>Fiona Tomkinson \u201cThe Myth of Ptah and the Structure of <em>The Avignon Quintet<\/em>\u201d<\/li>\n<li>Corinne Alexandra-Garner and Isabelle Keller-Privat \u201c&#8217;Manufacturing Dreams&#8217; or Lawrence Durrell&#8217;s Fiction Revisited Through the Prism of de Chirico&#8217;s Metaphysical Painting\u201d<\/li>\n<li>Mary Byrne \u201cThe Neo-Baroque in Durrell&#8217;s Major Novels\u201d<\/li>\n<li>Robert Haslam \u201cWeaving East and West: The Quincuncial Structure in <em>Monsieur<\/em> &#8211; A Reader&#8217;s Guide\u201d<\/li>\n<li>Ralph Yarrow \u201cMaterializing the Poetic: Lawrence Durrell&#8217;s <em>An Irish Faustus<\/em>\u201d<\/li>\n<li>Fiona Tomkinson \u201cThe Myth of Ptah and the Structure of <em>The Avignon Quintet<\/em>\u201d<\/li>\n<\/ul>\n<p><strong>REMINISCENCES<br \/>\n<\/strong><\/p>\n<ul>\n<li>Paul Gotch<\/li>\n<li>Barbara Robinson<\/li>\n<li>Fr\u00e9d\u00e9ric Jacques Temple<\/li>\n<li>Anthea Morton-Saner<\/li>\n<li>Paula Wislenef<\/li>\n<li>Mary Byrne<\/li>\n<li>Peter Baldwin<\/li>\n<li>Ralph Steadman<\/li>\n<li>Richard Pine<\/li>\n<li>Fragments: Sebastian Barker, Elspeth Barker, Ian MacNiven, Alan Sillitoe, Dirk Bogarde<\/li>\n<\/ul>\n<p><strong>POETRY<br \/>\n<\/strong><\/p>\n<ul>\n<li>David Radavich &#8220;Introduction From the Poetry Editor&#8221;<\/li>\n<li>Steve Lautermilch \u201cDetail\u201d<\/li>\n<li>Julia Older \u201cFrench Doors\u201d<\/li>\n<li>Jerome L. Wyant \u201cWaterbury\u201d<\/li>\n<li>Brian Clark \u201cTwo Cities\u201d<\/li>\n<li>Paul Sohar \u201cThe City on the Hill\u201d<\/li>\n<\/ul>\n<p><strong>REVIEWS<\/strong><\/p>\n<ul>\n<li>Pamela J. Francis \u201cRev. <em>Autumn Gleanings: Corfu Memoirs and Poems<\/em> by Theodore Stephanides<\/li>\n<\/ul>\n<p>Notes on Contributors<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Deus Loci: The Lawrence Durrell Journal NS 13 (2012-2013) TABLE OF CONTENTS From the Editor Robert Haslam &#8220;Introduction to Emended Readings: A Survey of British Criticism on Durrell ESSAYS Clive Scott \u201cLawrence Durrell: The Poet as Idler\u201d Ray Morrison \u201cLawrence Durrell&#8217;s Lyric, Deus Loci, as the Heraldic Mirror of His World\u201d Dianne Vipond \u201cThe Politics &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":39,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/322"}],"collection":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/comments?post=322"}],"version-history":[{"count":2,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/322\/revisions"}],"predecessor-version":[{"id":343,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/322\/revisions\/343"}],"up":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/media?parent=322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}