Lawrence George Durrell was born on February 27, 1912, in Jullundur in northern India, near Tibet. His English father, Lawrence Samuel Durrell, and his Irish-English mother, Louisa Florence Dixie, had also been born in India. This mix of nationalities marked Durrell\u2019s creative imagination. He would claim in later years that he had \u201ca Tibetan mentality.\u201d<\/p>\n
Durrell\u2019s \u201cnursery-rhyme happiness\u201d came to an end when he was shipped to England at age eleven to be formally educated. The immediate discomfort he felt in England he attributed to its lifestyle, which he termed \u201cthe English death.\u201d He explains: \u201cEnglish life is really like an autopsy. It is so, so dreary.\u201d Deeply alienated, he refused to adjust himself to England and resisted the regimentation of school life, failing to pass university exams.<\/p>\n
Instead, he resolved to be a writer. At first he had difficulty finding his voice in words, both in verse and in fiction. After publishing his first novel, Pied Piper of Lovers<\/em> (1935), he invented a pseudonym, Charles Norden, and wrote his second novel, Panic Spring<\/em> (1937), for the mass market.<\/p>\n Two fortunate events occurred in 1935 that changed the course of his career. First, he persuaded his mother, siblings, and wife, Nancy Myers, to move to Corfu, Greece, to live more economically and to escape the English winter. Life in Greece was a revelation; Durrell felt it reconnected him to India. While in Greece, he wrote a plan for The Book of the Dead<\/em>, which was an ancestor\u2013though it bore little resemblance\u2013to what may be his greatest literary accomplishment, The Alexandria Quartet<\/em>. Second, Durrell chanced upon Henry Miller\u2019s Tropic of Cancer<\/em> (1934) and wrote Miller a fan letter. Thus began a forty-five-year friendship and correspondence based on their love of literature, their fascination with the Far East, and their comradeship in the face of personal and artistic setbacks. In their early letters, Miller praised Durrell and urged him not to accede to Faber\u2019s suggestion that he expurgate portions of The Black Book<\/em> (1938), the work on which Durrell was then focused. Durrell followed Miller\u2019s advice and stood firm.<\/p>\n After six years in Corfu and Athens, Durrell and his wife were forced to flee Greece in 1941, just ahead of the advancing Nazi army. They settled together in Cairo, along with their baby daughter Penelope Berengaria, who had been born in 1940. In 1942, separated from his wife, Durrell moved to Alexandria, Egypt, and became press attach\u00e9 in the British Information Office. Ostensibly working, Durrell was in reality closely observing the assortment of sights, sensations, and people that wartime Alexandria, a crossroads of the East and West, had to offer. He also met Eve Cohen, a Jewish woman from Alexandria, who was to become his model for Justine. Durrell married her (his second wife) in 1947, after his divorce from Nancy Myers. In 1951, their daughter Sappho Jane was born.<\/p>\n In 1945, \u201cliberated from [his] Egyptian prison,\u201d Durrell was \u201cfree at last to return to Greece.\u201d He spent two years in Rhodes as director of public relations for the Dodocanese Islands. He left Rhodes to become the director of the British Council Institute in Cordoba, Argentina, from 1947-48. He then moved to Belgrade, Yugoslavia, where he was press attach\u00e9 from 1949-52.<\/p>\n Durrell returned to the Mediterranean in 1952, hoping to find the serenity in which to write. He bought a stone house in Cyprus and earned a living teaching English literature. During that time period, peace proved elusive. War broke out among the Cypriot Greeks who desired union with Greece, the British (who were still attempting to control Cyprus as a crown colony), and the Turkish Cypriots (who favored partition). Durrell, by this time, had left teaching and was working as the British public relations officer in Nicosia. He found himself caught between the warring factions and even became a target for terrorists. Bitter Lemons (1957) is Durrell\u2019s account of these troubled years.<\/p>\n While in Cyprus, Durrell began writing Justine, the first volume of The Alexandria Quartet<\/em>. He would eventually complete the four books in France. The Quartet<\/em> was published between 1957 and 1960 and was a critical and commercial success. Durrell received recognition as an author of international stature.<\/p>\n After being forced out of Cyprus, Durrell finally settled in Sommi\u00e8res, in the south of France. In the next thirty-five years, he produced two more cycles of novels: The Revolt of Aphrodite<\/em>, comprising Tunc<\/em> (1968) and Nunquam<\/em> (1970), and The Avignon Quintet (1974-1985). Neither of these cycles achieved the critical and popular success of The Alexandria Quartet<\/em>. Durrell continued writing poetry, and his Collected Poetry appeared in 1980.<\/p>\n Durrell married two more times. He wed his third wife, Claude-Marie Vincendon, in 1961. He was devastated when she died of cancer in 1967. His fourth marriage, to Ghislaine de Boysson, began in 1973 and ended in 1979. His later years were darkened by the suicide of his daughter, Sappho-Jane, in 1985. His final work, Caesar\u2019s Vast Ghost<\/em>, was published in 1990. Lawrence Durrell died on November 7, 1990.<\/p>\n \u201cLawrence Durrell\u201d by Anna Lillios, reproduced from Magill\u2019s Survey of World Literature<\/em>, volume 7, pages 2334-2342. Copyright \u00a9 1995, Salem Press, Inc. Reprinted by permission of the copyright holder. Revised 1997.<\/p>\n","protected":false},"excerpt":{"rendered":" Lawrence George Durrell was born on February 27, 1912, in Jullundur in northern India, near Tibet. His English father, Lawrence Samuel Durrell, and his Irish-English mother, Louisa Florence Dixie, had also been born in India. This mix of nationalities marked Durrell\u2019s creative imagination. He would claim in later years that he had \u201ca Tibetan mentality.\u201d … <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":786,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/24"}],"collection":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":3,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":330,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/24\/revisions\/330"}],"up":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/786"}],"wp:attachment":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}