{"id":106,"date":"2013-10-08T20:43:51","date_gmt":"2013-10-09T03:43:51","guid":{"rendered":"http:\/\/lawrencedurrell.org\/wp_durrell\/?page_id=106"},"modified":"2017-11-05T09:59:07","modified_gmt":"2017-11-05T17:59:07","slug":"ns-10","status":"publish","type":"page","link":"https:\/\/lawrencedurrell.org\/wp_durrell\/deus-loci\/ns-10\/","title":{"rendered":"Deus Loci NS 10 (2006-2007)"},"content":{"rendered":"<p><strong><em>Deus Loci: The Lawrence Durrell Journal<\/em> NS 10 (2006-2007)<\/strong><\/p>\n<div id=\"stcpDiv\">\n<p>TABLE OF CONTENTS<\/p>\n<p>Dedication<\/p>\n<p>Ian S. MacNiven \u201cIntroduction\u201d<\/p>\n<p><strong>INITIATION<\/strong><\/p>\n<ul>\n<li>Patrick J.M. Quinn \u201c<em><\/em><em><\/em>Behind <em>The Black Book<\/em>: Auden&#8217;s Looming Shadow\u201d<\/li>\n<\/ul>\n<p><strong>LONG GESTATION, SUDDEN QUADRUPLETS<br \/>\n<\/strong><\/p>\n<ul>\n<li>Jane Eblen Keller \u201c<em><\/em>&#8216;Some Impossible Union&#8217;: Lawrence Durrell, Ana\u00efs Nin, and the Idea of Romantic Love\u201d<\/li>\n<li>Nancy Lewis \u201cLawrence Durrell and the Postcolonial Context\u201d<\/li>\n<li>Carol Peirce \u201c&#8217;Bless Thee, Darley, Bless Thee! Thou Art Translated&#8217;: The Metamorphosis of Borther Ass\u201d<\/li>\n<li>Anne Ricketson Zahlan \u201c&#8217;The Most Offending Souls Alive&#8217;: Ruskin, Mountolive, and the Myth of Empire\u201d<\/li>\n<li>Barry Fruchter \u201cAlexandria Deserta: Mountolive&#8217;s Orientalism\u201d<\/li>\n<li>Hala Halim \u201cThe City As Feminine Principle: The Feminization of Alexandria in Durrell&#8217;s <em>Clea<\/em>\u201d<\/li>\n<\/ul>\n<p><strong>THE ELIZABETHAN DURRELL<br \/>\n<\/strong><\/p>\n<ul>\n<li>Shelly Cox \u201cA Study of the Drafts and Notes for <em>The Revolt of Aphrodite<\/em>\u201d<\/li>\n<li>William S. Godshalk \u201cThe Reader as Traveler\u201d<\/li>\n<li>Keith Brown \u201cDealing With Durrell\u201d<\/li>\n<\/ul>\n<p><strong>IN THE SHADOW OF AVIGNON: THE GREAT QUINCUNX<br \/>\n<\/strong><\/p>\n<ul>\n<li>Corinne Alexandre-Garner \u201cThe Road to Avignon or the Quest for Writing\u201d<\/li>\n<li>Roger Bowen \u201cThe Importance of Elsewhere: Egypt Again\u201d<\/li>\n<li>Lawrence B. Gamache \u201cLawrence Durrell and Gnosticism\u201d<\/li>\n<li>C. Ravindran Nambiar \u201c<em><\/em>The Spirit of Tantric <em>Maithuna<\/em> in <em>The Avignon Quintet<\/em>\u201d<\/li>\n<li>Virginia Kirby-Smith Carruthers \u201cClosing the Circle: The Return to India in <em>Caesar&#8217;s Vast Ghost<\/em>\u201d<\/li>\n<li>H.R. Stoneback \u201cBulls and <em>Boules<\/em>, Places and Pools, Obs and Inks: Durrell&#8217;s Provence\u201d<\/li>\n<li>Frank Kersnowski \u201cDurrell&#8217;s Cockerel: <em>Caesar&#8217;s Vast Ghost<\/em>\u201d<\/li>\n<li>James R. Nichols \u201cMy Love, My All, Myself&#8211;Oops\u201d<\/li>\n<\/ul>\n<p><strong>POETRY<br \/>\n<\/strong><\/p>\n<ul>\n<li>Virginia Kirby-Smith Carruthers \u201cIntroduction\u201d<\/li>\n<li>Marilyn C. Anderson \u201cStay\u201d<\/li>\n<li>Patricia Hill \u201cAwake\u201d<\/li>\n<li>Edmund Pennant \u201cThis Now\u201d<\/li>\n<li>Susan Bazett \u201cElephant\u201d<\/li>\n<li>Wendy Holborow \u201cLosing the Plot\u201d<\/li>\n<li>Katie Cameron \u201cWhat Remains\u201d<\/li>\n<li>Catherine Aldington \u201cClaude\u201d<\/li>\n<li>Sharzad Farzad &#8220;From the Heart&#8221;\n<ul>\n<li>Introduction<\/li>\n<li>Geography<\/li>\n<li>The Same<\/li>\n<li>Helping Each Other<\/li>\n<li>How to Hold Her<\/li>\n<li>Final Use<\/li>\n<li>Changes<\/li>\n<li>Relief<\/li>\n<li>We Didn&#8217;t See<\/li>\n<li>Uncle Mohammad Never Dies<\/li>\n<li>With My Husband<\/li>\n<li>Kiss Me<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>REVIEWS<\/strong><\/p>\n<ul>\n<li>Roger Bowen \u201cRev. <em>Alexandria: City of Memory\u201d<\/em><\/li>\n<li>Caroline Zilboorg \u201cRev. <em>Writers in Provence<\/em>\u201d<\/li>\n<li>Donald Junkins \u201cRev. <em>Caf\u00e9 Millenium and Other Poems<\/em>\u201d<\/li>\n<\/ul>\n<p><strong>NOTES &amp; QUERIES<\/strong><\/p>\n<ul>\n<li>Allison Kay Parker \u201cLawrence Durrell and Paul C\u00e9zanne\u201d<\/li>\n<li>C.P. Lee \u201cThe Island of Rhodes\u201d<\/li>\n<li>Finn Jensen \u201cKaren Blixen and Lawrence Durrell\u201d<\/li>\n<\/ul>\n<p>Notes on Contributors<\/p>\n<\/div>\n<p>\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deus Loci: The Lawrence Durrell Journal NS 10 (2006-2007) TABLE OF CONTENTS Dedication Ian S. MacNiven \u201cIntroduction\u201d INITIATION Patrick J.M. Quinn \u201cBehind The Black Book: Auden&#8217;s Looming Shadow\u201d LONG GESTATION, SUDDEN QUADRUPLETS Jane Eblen Keller \u201c&#8216;Some Impossible Union&#8217;: Lawrence Durrell, Ana\u00efs Nin, and the Idea of Romantic Love\u201d Nancy Lewis \u201cLawrence Durrell and the Postcolonial &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":39,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/106"}],"collection":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/comments?post=106"}],"version-history":[{"count":1,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/106\/revisions"}],"predecessor-version":[{"id":107,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/106\/revisions\/107"}],"up":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/media?parent=106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}