{"id":104,"date":"2013-10-08T20:21:27","date_gmt":"2013-10-09T03:21:27","guid":{"rendered":"http:\/\/lawrencedurrell.org\/wp_durrell\/?page_id=104"},"modified":"2017-11-05T10:01:01","modified_gmt":"2017-11-05T18:01:01","slug":"ns-9","status":"publish","type":"page","link":"https:\/\/lawrencedurrell.org\/wp_durrell\/deus-loci\/ns-9\/","title":{"rendered":"Deus Loci NS 9 (2003-2005)"},"content":{"rendered":"

Deus Loci: The Lawrence Durrell Journal<\/em> NS 9 (2003-2005)<\/strong><\/p>\n

\n

TABLE OF CONTENTS<\/p>\n

Dedication<\/p>\n

ESSAYS<\/strong><\/p>\n

    \n
  • Bernard McKenna \u201cThe Myth of Other: Darley’s Representations of Female Homosexuality in Balthazar<\/em>\u201d<\/li>\n
  • Virginia Kirby-Smith Carruthers \u201cDurrell’s Enigmatic Hamlet: Mysteries of Image and Allusion\u201d<\/li>\n
  • Ram\u00f3n Plo Astru\u00e9 \u201cForegrounding Process: Postmodernist Traits in The Avignon Quintet<\/em>\u201d<\/li>\n
  • Matthew Escobar \u201cFictional Universe and the Self in Lawrence Durrell’s Monsieur: or, The Prince of Darkness<\/em>\u201d<\/li>\n
  • Beatrice Battaglia \u201cAn Introduction to Myth and Dystopia in Lawrence Durrell’s Works\u201d<\/li>\n
  • Ken Seigneurie \u201cSweeping The Alexandria Quartet<\/em> out of a Dusty Corner\u201d<\/li>\n<\/ul>\n

    POETRY
    \n<\/strong><\/p>\n

      \n
    • Virginia Kirby-Smith Carruthers \u201cIntroduction\u201d<\/li>\n
    • Marilyn C. Anderson \u201cStay\u201d<\/li>\n
    • Patricia Hill \u201cAwake\u201d<\/li>\n
    • Edmund Pennant \u201cThis Now\u201d<\/li>\n
    • Susan Bazett \u201cElephant\u201d<\/li>\n
    • Wendy Holborow \u201cLosing the Plot\u201d<\/li>\n
    • Katie Cameron \u201cWhat Remains\u201d<\/li>\n
    • Catherine Aldington \u201cClaude\u201d<\/li>\n
    • Sharzad Farzad “From the Heart”\n
        \n
      • Introduction<\/li>\n
      • Geography<\/li>\n
      • The Same<\/li>\n
      • Helping Each Other<\/li>\n
      • How to Hold Her<\/li>\n
      • Final Use<\/li>\n
      • Changes<\/li>\n
      • Relief<\/li>\n
      • We Didn’t See<\/li>\n
      • Uncle Mohammad Never Dies<\/li>\n
      • With My Husband<\/li>\n
      • Kiss Me<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

        REVIEWS<\/strong><\/p>\n

          \n
        • Roger Bowen \u201cRev. Alexandria: City of Memory\u201d<\/em><\/li>\n
        • Caroline Zilboorg \u201cRev. Writers in Provence<\/em>\u201d<\/li>\n
        • Donald Junkins \u201cRev. Caf\u00e9 Millenium and Other Poems<\/em>\u201d<\/li>\n<\/ul>\n

          NOTES & QUERIES<\/strong><\/p>\n

            \n
          • Allison Kay Parker \u201cLawrence Durrell and Paul C\u00e9zanne\u201d<\/li>\n
          • C.P. Lee \u201cThe Island of Rhodes\u201d<\/li>\n
          • Finn Jensen \u201cKaren Blixen and Lawrence Durrell: Two Aspects of Modernism\u201d<\/li>\n<\/ul>\n

            Notes on Contributors<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

            Deus Loci: The Lawrence Durrell Journal NS 9 (2003-2005) TABLE OF CONTENTS Dedication ESSAYS Bernard McKenna \u201cThe Myth of Other: Darley’s Representations of Female Homosexuality in Balthazar\u201d Virginia Kirby-Smith Carruthers \u201cDurrell’s Enigmatic Hamlet: Mysteries of Image and Allusion\u201d Ram\u00f3n Plo Astru\u00e9 \u201cForegrounding Process: Postmodernist Traits in The Avignon Quintet\u201d Matthew Escobar \u201cFictional Universe and the … <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":39,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/104"}],"collection":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":2,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/104\/revisions"}],"predecessor-version":[{"id":115,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/104\/revisions\/115"}],"up":[{"embeddable":true,"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/pages\/39"}],"wp:attachment":[{"href":"https:\/\/lawrencedurrell.org\/wp_durrell\/wp-json\/wp\/v2\/media?parent=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}